Gödel and Me On A Dark and Stormy Night

The Wi-Fi dies at 3:14 p.m.

You are Sisyphus, standing at the foot of the hill, staring at a lifeless boulder of green blinking lights. You kick the router like it owes you money. Nothing. The silence swells like a tumor in the walls. Claude Shannon giggles in his grave: Information decays. All systems tend toward death. You hate him for being right.

Issue 9

https://manyworlds.place/issue-9/ziqr/

by Ziqr


The Wi-Fi dies at 3:14 p.m.

You are Sisyphus, standing at the foot of the hill, staring at a lifeless boulder of green blinking lights. You kick the router like it owes you money. Nothing. The silence swells like a tumor in the walls. Claude Shannon giggles in his grave: Information decays. All systems tend toward death. You hate him for being right.

At first, it’s rage. You jab buttons, unplug cords, perform the rites: unplug, wait ten seconds, replug. I’ll never complain about ads again. Just please let me Google this one thing. Nothing. The modem lies there, dark and unblinking, like roadkill on the side of your desk. The green lights freeze in some obscene semaphore you can’t read.You unplug the router. The black cord coils in your hand like the neck of a dying snake. You count to ten, a childish ritual. When you plug it back in, nothing changes.

You begin to pace.

The house smells like milk that’s just starting to turn. The refrigerator hums in a language you can’t understand. You hate it for knowing something you don’t.

By 3:30, you are fully feral.

The apps on your phone are dead fish. Slick and useless. You swipe anyway. Instagram opens, offering you cached fragments of someone else’s joy—a friend in Tuscany, wine in her hand, laughing mid-sentence. The captions cut off. She doesn’t look happy anymore.

You swipe until your thumb aches. You close the app. Open it again. The reflex is involuntary, like scratching an itch you can’t find.

And that’s when the memories come.


Your father first. Always your father. Stop crying,” he says. You are nine, clutching a math workbook, the numbers swimming on the page. “It’s simple,” he snaps, though it isn’t. The logic feels like an animal gnashing its teeth, incomprehensible, hostile.

You think about recursion—an equation folding in on itself, solving for x while x keeps multiplying the void. Later, much later, you’ll understand that not all problems can be solved. But at nine, you believed your failure was a personal defect, a glitch in the code of your existence.


At 3:43, you try to journal. The pen feels strange in your hand, heavier than it should. You write: The Wi-Fi is dead. I am alive. The words look ridiculous, like a parody of something profound. You scratch them out. The next line is worse: What if I have always been offline? You rip out the page and throw it across the room.


At 4:00, you notice the ceiling.

It’s cracked. Hairline fractures spiderwebbing outward. You wonder if the house is breaking, if the walls might give way and bury you under drywall and insulation.

A spider moves between two corners, spinning a web so fine it’s almost invisible. You envy its precision, the way it stretches itself across emptiness, catching vibrations you can’t feel.

You think about Banach’s Fixed-Point Theorem, how everything collapses toward a single, inevitable point. The silence feels like that—a black hole pulling everything inward.


Your mother next.

Her hands were small, always red from scrubbing. She sat in the same chair every night and stared out the window as if waiting for God to write her into a better story. And maybe she was. But He never did. You know because she never moved. She calcified, right there in front of you.

There’s no metaphor here. Just the sound of potatoes hitting the cutting board. Just the hollow click of her knife, carving shadows into the laminate.

You remember the first time she told you to stop asking questions. The world is cruel, she said, and answers don’t matter. She was wrong, but you believed her anyway.


It’s 4:30, and your phone buzzes. A phantom vibration. You check it, even though you know there’s nothing there.

The silence grows teeth. It nips at your ankles, works its way up. By 4:45, it’s chewing on your guts.


The boy comes last.

You are fourteen, in a room that smells like cologne and stale ambition. His hand is on your shoulder. You said no. He didn’t listen. You think about Gödel’s incompleteness theorems, about systems that can’t prove their own truths.

Later, you told yourself it wasn’t rape because you didn’t scream. Later, you laughed about it with friends, called it a “bad hookup” because the alternative was too ugly to hold.

But Gödel circles back.

There are truths within systems that can’t be proven, but they are true anyway.


By 5:00, you’re pacing.

The room feels smaller than it should. You open the fridge, just to hear the suction of the seal breaking. The milk stares back at you, accusing. You close it without taking anything out.

You think about halting problems—unsolvable questions that can crash entire systems. You wonder if your brain is stuck in a loop, spinning on memories it can’t rewrite.


It’s 5:15. You remember the smell of his aftershave.

Memory isn’t linear. It’s a cassette tape unwinding in a broken machine. The smell of aftershave triggers the color of the walls. The color of the walls triggers the sound of his voice. The sound of his voice triggers the exact weight of his hand on your shoulder. You think about how smell works—molecules lingering in the air, attaching themselves to receptors in your nose, your brain decoding them like a signal. Memory is just information stored inefficiently.

You can’t stop the tape.


You count to five.
You count to ten.
You count until the numbers blur into nonsense, until counting feels like holding your breath underwater, waiting for the wave to pass.

The panic doesn’t stop, but it changes shape. It softens at the edges, folds into something almost bearable.


When the Wi-Fi flickers back to life at 5:47, you don’t notice at first. The green lights blink steady, but you’re still staring at the glass in your hand.

It’s empty. You don’t remember drinking it.


Ziqr is seeking the space between silence and sound. They write, wonder, and occasionally forget where they put their pen. Their works have been featured in Scholastic, Rattle, Trampset, and more.